- Is the emerson flute company still in business Patch#
- Is the emerson flute company still in business free#
I'm looking for a state where all the women look like Jenny Agutter, I'm considered a God, and the weed is free - where should I go with my twenty-dollar bill? ( msn.com ) » (8 comments) You may know him as Sir Alex ( .uk ) » (1 comment) Happy 80th birthday to the greatest manager in Aberdeen FC's history. LGT live feed that will only get crazier as the night goes on ( ) » (4 comments) Iceland is famous for its NYE fireworks, which stretch from horizon to horizon, and as it approaches midnight GMT, turn into something close to what WW III might look like. Also, you have a lot to learn, and I hope you never learn it ( ) » (5 comments) If you are in Pittsburgh and bump into a 50-foot tall rabbit, don't be surprised. I just read the "About" page at and see that the owner says "My first synthesizer kits were from Paia which still work to this day!" PAiA had a user group magazine that became Polyphony magazine (which I was subscribed to for a short while in the late '70s) which later became Electronic Musician magazine. Strange that this region should be the last holdout for analog synth manufacturing. Tyler, TX, eh? PAiA was started in Oklahoma City, now based in Edmond, OK with offices of some sort in Austin, TX. That's double-you double-you double-you synthesizers dot com.
With your own controller, 1000 buys you an incredible modular synth. Hmm, time for a mid-life crisis, I expect.Ĭheck out They're based out of my hometown They do extraordinary work, but are still totally reasonable. WTH, they're still in business! Now I can afford them, but the wife won't approve.
Grew up poor and could never afford the "real" stuff from Moog, etc, but also couldn't afford these guy's kits. SansNeural: 433: SansNeural: 2 3 - at about 11 years old in the late 70's, I sent in to get catalogs from these guys.
Is the emerson flute company still in business Patch#
He does his own programming, but no audience wants to see you stop the song for a few minutes while you move a few patch cables around, so for the sake of continuity, you have your keyboard tech do the patching and don't skip a beat. Fact is, there was a guy stage right, wrangling mainframes that plugged his mobile keyboard into the properly programmed unit at the right part of the song. When Edgar Winter hit it big with his signature hit "Frankenstein", the ARP 2600 head that he had onstage was just a prop. Those things were by special order only, and you didn't see them on display at music stores.Įvery synth sound you hear on "Who's Next", was done on an ARP 2600īoth instruments were a nightmare to use live, and used to go in and out of tune depending upon stage temperature, so the synth you had at soundcheck didn't exist once the lights started heating the stage. The only people that could use them were Emerson, The Who, and Stevie Wonder.Īctually, it was $20,000 or more in 1970s money. I always thought Emerson was kind of a douche, but maybe I was wrong.īTW, those Moog systems in the 70's cost thousands of dollars (probably like $20,000 or more in today's money) and were very heavy and technical and difficult to move on tour.